“my mind becomes one with all this” (Liu Tsung-Yuan)

jp-tk

I’ve been working on the final edits of an essay which will appear in a forthcoming anthology, Sharp Notions: Essays on the Stitching Life, due in fall from Arsenal Pulp. My contribution is about John’s bilateral hip replacement surgery in the fall of 2020 and the unexpected injury he suffered during that surgery. It’s about caring for him during a difficult period and how I worked on two quilts to keep my mind quiet. I was afraid. There were other medical issues at the time and our house in the woods felt very far from the services we needed. Because of COVID and because we were advised to consider John immunocompromised, we were not seeing other people at that time. I sewed and John healed and then I wrote about how the two processes were intimately connected, the threads overlapping and entwined. (In an older time, his incisions would have been sewn up after the surgery but now most surgeons use staples!)

Reading the essay as I worked on the rough spots, I realized it was about marriage as much as anything else. As well as anything else. When John was in UBC hospital, recovering from the surgery, we celebrated our 41st wedding anniversary. I bought pastries at a little bakery near where I was staying and took them to his room with a copy of Written in Exile: The Poetry of Liu Tsung-Yuan, translated by Red Pine (the pen-name of Bill Porter). We ate the pastries and read poems to each other, looking out towards the North Shore mountains.

Sewing, poetry, pastries…these have been constants of our lives together, it seems. We met at a poetry reading in 1979, we’ve worked as poets (though my writing trail veered off that course about 30 years ago), I began making quilts 35 years ago and the results are on every bed in our house, and we’ve always loved good pastries. When we stayed in Paris in 2009, in a tiny garret flat in the Marais, we went daily to a patisserie nearby and bought delicious treats to bring back to have with coffee. There were something like 94 stairs to our flat so walking up and down three or four times a day wore off the calories. We didn’t celebrate a wedding anniversary on that trip but a year or two later we were in Vienna on October 20th and we found a wonderful restaurant where we had a memorable meal. We chose the restaurant because it was a little low building and because there was a tidy stack of firewood by the door so we knew there would be a fireplace within. There was, and the food was wonderful. Tyrolean food, the owner told us, and he kept bringing little tastes of this and that, including duck and apple mousse in a tiny shell of choux pastry to taste while we were waiting for our soup and a schnapps flavoured with larch (for me) and pine (for John) to have with dessert.

Today isn’t our wedding anniversary but it’s the 44th anniversary of our meeting, which has always felt more important than the date we actually formalized our relationship. On the night we met, I was wearing a deep red dress I wish I still had. I was wearing mulberry tights. It doesn’t seem like 44 years ago. Everything feels like it was, oh, a month or so ago. A month or so ago I was waiting for our first baby to be born. A month or so ago I was sewing curtains for rooms for our children, red and blue cotton with white elephants marching from left to right. I was planting tomato seeds in little pots to arrange by the woodstove for warmth while the seeds germinated. I was writing my first essay. John was finishing a book of poems. We were listening to Dire Straits for the first time. We were walking down the driveway with one child, then two, then three, with one dog after another, until there were none. We were standing by the front door as grandchildren arrived and left. I was sitting in the rocking chair by the fire finishing a quilt. Starting another. Van Morrison was singing, I’m gonna walk down the street until I see my shining light. Our parents were getting older and older and then they were gone. Friends too. And how did this happen? We got older too.

A photograph is a story. It’s the whole story. In the one I’ve used here, we are young, there’s a baby on its way, we have slept on the land we live on now, we are learning where the best views of the mountain are, where the deer bed down for the night, where we want our house to be. We have made the first ring of stones for fire. We are drinking the water from the lake we love. Almost certainly the first dog of our shared lives was curled up at our feet.

Last night we drove out to the Backeddy Pub in Egmont for supper. The chef made elk ragu over soft potato gnocchi. We sat by the window and looked across the inlet to two frail lights on the other side. This is a life, two people at a table, the tide high, the waiter pouring a little more wine before the drive home on a narrow twisting road. I’m going to go slow, said John, because the line on the middle of the road has faded completely. A little snow fell.

Sandbars free of overnight clouds
village walls lit by the morning sun
a pristine pond encircled by trees
last night’s rain scattered by the wind
happy having nothing to do
my mind becomes one with all this
–Liu Tsung-Yuan, translated by Red Pine

“What are years?”

winged victory

If you read this blog now and then, you  know that time is something I think about a fair bit. How we are shaped by it, how we conceive it, where it comes from, where it goes. We say it passes but it doesn’t. We are always in its flow, carried with it, through it. It doesn’t always feel like a continuum but it is. I think.

One of our sons is in Paris with his family for part of the autumn. He is working in what I think of as deep math. It’s a world that has held him since he was a small boy, walking down our driveway with his grandfather, telling him that numbers exist below zero. He was 3 or 4. I’ve tried to take the measure of that world—if you’ve read the title essay of Euclid’s Orchard, you will recognize my effort and where it took me—and I learned enough to know that I will never understand that part of my son’s life. But we do have things in common, beyond the obvious (I am his mother after all), and he is wonderful company.

Some mornings I wake to photos and short videos from Paris. It is evening there when I look at what my grandchildren did that morning. I am in the moment and they are asleep. I watch them ride carousels in the shadow of the Eiffel Tower and time stands as still as it can while children laugh and fly through the air in a small metal plane. I watch them race through the Louvre, eager to see everything. In the halls of great art, they are children from the new world. The winged Nike of Samothrace was a particular pleasure for them. Created circa 190 BCE, possibly to commemorate a sea battle, she stands on the prow of a ship of Lartos marble, her clothing of translucent Parian marble so airy that you half-expect to hear it swish. My grandchildren rush to the winged Nike and I watch them, 8000 kms away, earlier on the same day that they went to the Louvre with their mum, a life-time away, the sound of my granddaughter’s voice so clear. “That statue is like a lot of years old,” she says, as her brother stands at the base, his shirt on backwards.

I think of Guy Davenport’s beautiful poem for Marianne Moore, “At Marathon”, and its stunning conclusion:

Two thousand, four hundred and fifty-five
years ago. There are things one must not
leave undone, such as coming from Brooklyn
in one’s old age to salute the army
at Marathon. What are years?

Such as coming from Edmonton as children to race down to the Winged Victory of Samothrace. What is time?

“If a century, this.”

french angel

It seems impossible now but I was just writing an email to a friend and in response to her question, “How are your children?”, I typed “Brendan is in Paris.” Then the phone rang. It was Forrest, in Ottawa, asking if we’d heard about the attacks in Paris and was there any news of Brendan. I’d been in the garden and John in the printshop so the radio was quiet. No, we didn’t know about Paris. A quick call to Cristen who said she’d had a good-night message from Brendan on his return to his hotel from dinner with friends. She thought he’d gone to bed. And his phone was turned off.

There are no words for the horror of what happened yesterday. Maybe we will find some. I thought of the young couple in the bakery in Bordeaux in March saying that they were hoping to come to Canada. And the concierge at our hotel in Toulouse, saying he wanted to move his family to Montreal. Those beautiful cities with their ancient churches, their fountains, their monuments. Yet there is no safety. Just when it’s least expected — a soccer game, a concert, a meal in a restaurant on a Friday evening. My own son sleeping in a hotel while around him sirens, ambulances taking away the wounded, the dead. I can’t make sense of it.

In the night, in response to the message I’d sent, three words on the screen of my tablet. “Yep, I’m fine.” And no more, because what can anyone say? Yet?

When I woke, I thought of Carolyn Forché’s The Angel of History:

In the night-vaulted corridors of the Hôtel-Dieu it is winter.

If a city, ruin, if an animal, hunger.

If a grave, anonymous.

If a century, this.