It’s counter-intuitive, to sew ragged stitches along the raw edges of fabric scraps. Everything I know about sewing (and I am careless enough as it is) tells me to do this differently, to apply the patches of various silks and cottons and linens in the way I’ve always done: sewing the wrong side of the scrap to the body of the quilt and then turning it, ironing it flat, using small regular stitches to quilt the layers together. But this time I am exploring imperfection. Here’s one example I keep in mind as I sew, a boro quilt of ethereal practical beauty:
What is perfection anyway? I think about that when I swim. I am clumsy, awkward, but I swim a kilometer three times a week and it feels wonderful in the moment, and after. My writing is always raggedy-edged, unfinished (in a way), shape-shifting as it goes along. There’ve been times when I was courted by bigger publishers, hoping for a book that would sell. I remember having lunch with one and coming home in great excitement to tell John what suggestions had been made (I’m being careful here!) to turn something I’d already written in something else. I could do this, I said. And he said, Yes, of course you could. But would it make you happy? You’ve already written the book you said you wanted to write. When I thought about it, I realized I had. My happiness with it had been in the process of writing, of following the beautiful thread that led me along roads I’d never known were there, into mazes and out again, not knowing the destination. What had been suggested to me was a trail well-mapped, direct, not exactly full of possibility, but maybe interesting enough. I’d know exactly where I’d arrive before I even began. Did I want that? Even if I could make my sentences as bold and as strong as I could? It turned out I didn’t. I’m curious enough and stubborn enough to want to do things my own way. It’s not that I think everyone should follow this process. I’m really glad that others don’t because in books, as with quilts, I love the huge range of texts and textiles that result from all kinds of approaches and pursuits. I think there’s room for them all.
It’s counter-intuitive, to sew ragged stitches along the raw edges of fabric scraps. But I’ve got these new needles, sharp and true, and it’s a pleasure, though sometimes a nervous-making experience, to run them along and through a small scrap of blue cloth. What will this become? What will I become, making it?