winter jasmine, for The Trackless Woods

One of my Christmas gifts this year, from my husband John: the extraordinary recording The Trackless Woods, in which Iris DeMent has set poems by Anna Akhmatova and accompanies herself so sweetly on piano with some help from Leo Kottke. I’ve loved Akhmatova since I first read her poems when I was in my early twenties. And who knew they would hold up so well in these country gospel settings? There is something so quietly profound about DeMent’s voice — I have her earlier cd, My Life (1993) but I couldn’t have anticipated this pairing. I’ve just read Rosemary Sullivan’s Stalin’s Daughter and have some fresh insights into the horrors of the terrible years of Soviet power and somehow these poems bring it so sorrowfully to life:

I drink to this house, already destroyed,

And my whole life, too awful to tell,

To the loneliness we together enjoyed,

I drink to you as well,

To the eyes with deadly cold imbued,

To the lips that betrayed me with a lie,

To the world for being cruel and rude,

To the God who didn’t save us, or try. (“The Last Toast”, trans. Lyn Coffin)

I’m listening to this as the house whirls in its holiday colour and spirit, while food is being prepared, drinks poured, and on the table, a little sprig of winter jasmine as the year comes to an end.

winter jasmine

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~ by theresakishkan on December 28, 2015.

One Response to “winter jasmine, for The Trackless Woods”

  1. […] ours, I’ve been listening in an almost obsessive way to The Trackless Woods, written about here. It is such a perfect recording, a relationship across the decades — or the centuries by now. […]

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