more of the same, but different
I’ve just picked vegetables for a special dinner tonight (friend Liz is coming!) and am delighted with the broccoli crowns (just cut one…), the Mendel peas from seed saved from last year’s crop, and a few curly garlic scapes because they were too pretty not to include. And roses — again, roses, because how could you not cut them over and over and put them in pots for their beauty? And the tablecloth from Arles.
And this morning I did a bit of detailing on the salmon panels, using red fabric paint. The indigo is lighter this time around because I tried boiling the wax out of the batiked areas and it seems the dye was not quite as fast as I’d hoped. But it’s still a good blue, I think, and I have a whole pile of cottons stacked to see what seems to work best with these two long panels — they’re 70 inches wide, one with the fish heading into the natal stream, and one with them leaving it. In the next few days I’ll spend some time spreading out lengths of fabric on the floor and seeing how the panels look with dark red or a Japanese print with raindrops or even the Moravian blueprints. After I’d dyed the fish panels, I dyed about 3 metres of the unbleached cotton with the left-over dye and the result is nice — like a faded chambray shirt. I know I’m not a real quilter because I don’t plan. All the books tell you to chart your design and use colour wheels and so forth. (I know writing manuals tell you much the same thing: make an outline, keep file cards of your characters, plan out your chapters. Sigh.) But my eye is more random, looking for surprising relationships and unexpected connections. Who knows what this quilt will look like when it’s finished? All I know is that I love every step.