you can follow the phosphorescence like a pathway of stars

oyster bay

Yesterday we drove down the Coast on various errands, our last opportunity to shop in preparation for a family visit on Saturday, followed by a family wedding in Victoria next weekend, followed by a few days, all of us, on a beach near Campbell River. Oyster Bay. I’ve been thinking about it with some excitement and some anxiety. In these later years, I’m realizing that I am truly an introvert. And it seems I have a flawed history. So yes, anxiety. But also, again, excitement.

We stopped at our local Oyster Bay on the way down to Sechelt, to drop something off at a friend’s home. It’s one of the locations I think of as old coast — two shingled houses, one of them formerly a logging camp floating kitchen, and there’s a shucking shed from the business my friend’s parents ran in the last century.

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We sometimes talked about having a dance in the shed, under its red roof, with the waters of the bay swirling underneath at high tide, and phosphorescence spangling the tide. Once we swam late at night in the bay and spread the phosphorescence from our hands like stars. My friend and I once canoed to the little creeks feeding into the bay, searching for the house Elizabeth Smart had lived in the second time she came to our area, not the one with the wooden board over the door, inscribed with The cut worm forgives the plough, where she wrote By Grand Central Station I Sat Down and Wept, but a later house, owned in those years by someone we know. It was demolished when it became too derelict to safely enter. Today we pulled in just behind the shucking shed and the view was what you can see in the top photograph: shallow water, moss, the most beautiful light. I didn’t want those years to end.

On our way home today, the trunk of the car filled with food — spot prawns, sausages, watermelon, cheeses, buttermilk for pancakes, wine, Persephone beer, cider from a stop at Bricker’s — I felt drowsy with nostalgia. How many times we drove this highway with our young family, on our way to the Interior, on our way to Emergency with infections of one sort or another, asthma, labour (that was me), to basketball camp or for a meal out and concerts, once a movie (Baz Luhmann’s Romeo and Juliet), swims at Snickett Park or Porpoise Bay, how many times we stopped at the bookstore or the chocolate shop, how many times. The radio kept fading in and out and anyway the music was terrible so I put on Bruce Springsteen’s Western Stars.

I lie awake in the middle of the nightMakin’ a list of things that I didn’t do rightWith you at the top of a long page filled…

I do. I lie awake in the middle of the night and oh, my lists are long and regretful. What would my life had been if I knew then what I know now? I’d like to have been a better person. A better mother, a more generous friend.

We woke each morning with hearts filledBluebird of love on the windowsillNow the heart’s unsteady, and the night is still…

Every morning I wake with the best person in the world in my bed and he listens to me with patience and love. What would I have done differently? Everything, and maybe nothing. The Steller’s jays are back, loud for peanuts when I come down to make coffee. You again, I say, taking them their breakfast. And you again, I say to the cat as I put food in his dish. None of them are bluebirds of love but they are reliable. My heart’s unsteady as I think of the past, what I know about it, and unsteady as I think of what’s to come. The nights are still, quiet, but in Oyster Bay, the one on this part of the coast, you can follow the phosphorescence like a pathway of stars. Where to? That’s the question.

breakfast

Note: the lines are from Bruce Springsteen’s “Somewhere North of Nashville”

small packages

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As Christmas approaches, I’ve been shopping and making — and trying to remain true to my belief that good things come in small packages. With my family, it’s not difficult. We’ve never gone into the season with the sense that we had to go into debt or buy big electronic items or expensive bijoux. And it’s lovely to find the right thing, to know it as you see it, or to find the materials in your own surroundings. To plan the baking — white chocolate fruit cakes, savoury rosemary shortbread, gingerbread people with smartie buttons and silver dragee eyes. (I once tried to use a piping device to do fancy work with icing and failed miserably.)

I’m also having an interesting time discussing a new project with my friend Anik See in Amsterdam. Both of us have novella manuscripts which haven’t (yet) been able to find publishers. (Anik has published a novella, postcard, as part of her fiction collection, poscard and other stories; and I’ve published one, Inishbream, and have another, Patrin, forthcoming from the inspiring Mother Tongue Publishing in September, 2015.) Like John and I, Anik has a printing press and has designed and created some beautiful books through her Fox Run imprint. When she was here in September, on her way back to Amsterdam from three months as writer-in-residence at the Berton House in Dawson City, we continued talking about the idea (the madness?) of beginning a small imprint to publish novellas (and maybe some other forms not high on the lists of most commercial publishers). We’d probably begin with our work, my Winter Wren and Anik’s Cabin Fever, mostly because of logistics. We have them ready and we trust one another enough to work together in this way. She’s adept at page design, we have some sense of the market for these titles, and we don’t have illusions about commerical success.

Both of us love novellas. We love beautiful books. And we believe that there should be room in the literary conversation for this form. So we intend to try to expand the conversation, not with the intention of silencing any other voices but simply to ensure that the quiet ones continue to be included.  There are sure to be difficulties but is that a reason not to try? Nope.

Last night I finished re-reading Sheila Watson’s Deep Hollow Creek, written in the 1930s, before her extraordinary (and hugely influential) The Double Hook. It’s a hermetic story, set at Dog Creek in the Cariboo, in winter, and the language is precise and chilly, perfectly suited to the human relationships in the contained world of this novella.

As Miriam reached up the move the lamp Stella noticed the curve of her hip under the gold-haired brown wool of her Harris tweed skirt and the light bathing her braided hair as water bathes pebbles in the creek.

Nor in things extreme and scattering bright — no not in nothing — certainly not in nothing. Why, Stella thought, slipping from the literacy of the past into the literacy of the present, must the immediacy of the moment act itself out in the klieg light of a thousand dead candles.

She rose quickly from the end of the camp cot on which she was sitting and, going to the bucket, poured a dipper of water into the white enamelled hand-basin.

Is supper ready? she asked.

I think of a shelf of Canadian literature — or the literature of any civilized culture — missing this book and others, By Grand Central Station I Sat Down and Wept by Elizabeth Smart, Gillian Wigmore’s Grayling, Barbara Lambert’s Message for Mr. Lazarus, Ethel Wilson’s Swamp Angel, and so many others, simply by virture of their size, and it determines me to continue my discussions with Anik. Stay tuned!