I find the rivers I love, the ones I dream about. I find them in the atlas and realize they too have their difficulties. They rise in springs or seep from marshes or the melting of glaciers, they gather, they flow, so clean in their beginnings, and unless they become grounded or are endorheic, they arrive at the great oceans of the world full of the silts, the effluents, the timbers and old cars and snowmelt and rain of their journeys. There will have been diversions. There will have been accidents. There might have been meanders and braidings and temporary islands and dams.
Now what? I’d come through the experience with my sight intact but with scars at the backs of my eyes from the laser procedures. Quite often I’d lay my hands gently over my eyes and imagine a life without sight. There are worse things, I know, but I thought of everything I loved to look at—tulips, birds in flight, favourite landscapes, the sky (particularly the late February sky at 6:30 p.m. on a fine day when it’s the blue of Maxfield Parrish paintings, sometimes with Venus and a new moon hanging silver above the Douglas firs), the faces of those I love (an increasing number of people because of grandchildren), prairie fields from a great height, flying from the coast to Ottawa and back, freshly washed sheets fluttering on the clothesline in wind, the chartreuse flowers on bigleaf maples, and so many more things—and I’d realize how grateful I was that I wasn’t blind. Sometimes I’d hold my hands over my eyes for a bit longer because I was crying.
Listening to the young pianist playing “In the Mists”, I hear birdsong, the brittle canes of winter roses brushing against my house, the sounds you would not have noticed in your daily work (a house without roses), feeding chickens, washing the laundry of a family of 10, then 9, then 8, then rising again, the deaths and births echoing the seasons, the river freezing, thawing, the return of green leaves on the cottonwoods in Drumheller, on the beeches of your childhood home in Moravia-Silesia, all of it hidden in mist, morning mist coming down off the Beskydy Mountains, frozen mist in your final years in Beverly, a stone’s throw from the North Saskatchewan River.
5 thoughts on “quotidian: 3 passages from an essay collection (in the works)”
This is like reading music, thank you.
Thank you, Leslie, for reading…
I was going to say this is like reading the most lyrical poetry but then I saw Leslie’s comment. She’s correct, it really is like reading music. For me, it also has touchstones of places I’ve known or have lived so it pulls from somewhere deep inside.
Thank you so much, Diane. I began my writing life as a poet but then it left me (the poetry, I mean) and when I came back to writing, I wrote essays and novels. What I came to see, though, was that I could “bury” poetry of a sort, not delineated as a poem might be but at least using the intense language I loved as poet, in the larger blocks of text! (Keep your fingers crossed for this particular collection. It’s currently with a publisher…)