a badlands antiphon


The one essay in my forthcoming collection that’s giving me trouble is a long one about the search for my grandmother’s first home in Canada. Or, more correctly, it’s about the search for a homestead taken out (in theory) by her first husband, Joseph Yopek, who came to Canada around 1911. His name appears on the Alberta Homestead Records, a guide I used to try to find out information about the place he prepared for my grandmother’s arrival from what’s now the Czech Republic in 1913.

The editor for this collection has rightly observed that the essay doesn’t quite work. All the parts are there but they don’t add up to a finished piece. I know she’s right. When my publisher wondered in the fall if I might have enough essays for a book, I thought I didn’t. And then I went through a series of medical tests that indicated I could be facing a fairly serious health situation. I thought to myself, You need to finish the work you’ve begun because your days could be numbered. Well, of course all our days are numbered but there you have it. And I confess I sort of rushed this particular essay. My hope for it was something other than the way I put it together. So my challenge right now is to find its true shape. In the beginning I wanted it to be an antiphon. Not necessarily the sort I knew, where a choir or group of voices (or sometimes even a single voice) responds to lines of a psalm or other liturgical text. But I wanted to call across the years to the man my grandmother married, a man who seems to have disappeared from any kind of recorded memory, and I wanted him to answer. I wanted to engage in a kind of song with him. But then I let the writing take me elsewhere. Into the dry archive of land grants and the Department of the Interior. Men writing to other men in the language of early 20th c. bureaucracy.

Yesterday I worked for most of the day on other essays. Their editorial requirements were pretty straightforward. Commas. Clarity. Eliminating all those parenthetical asides, or at least thinking about them in a different way. I enjoy this work. I want this book to be as good as I can make it.

But in the middle of the manuscript is this long brooding shadow. I kept scrolling past it to pretend that fixing it would be easy enough, why didn’t I simply leave it for a bit? And in the night, I was awake thinking about it and it suddenly seemed so clear. Return to your original vision. Sing to Joseph Yopek and maybe he will sing back. Never mind that he would sing in Polish, a language I don’t understand. Music can take us beyond language, can’t it? After all, the liturgy of Joseph Yopek’s church would have been Latin and surely he didn’t understand Latin, apart from its context. And when you think about it, liturgy is not confined to the Catholic church. The word itself is a Greek composite, λειτουργία, or leitourgia, meaning “public service”.  The liturgy I have in mind would be service to my family, our own particular music. And his part has been lost, this man who died in 1918 and whose grave I couldn’t even find in the small-ish Drumheller Cemetery.

2 thoughts on “a badlands antiphon”

  1. For some reason, the comment above appears under my name so I don’t know who left it! But a classic? Hmmm. After my dad read Badlands many years ago, he wanted to float down the Red Deer River and I wish now I took him up on the suggestion!

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