the gentle art

I was beginning to think I was jinxed because The Gentle Art of Swedish Death Cleaning was never available at the Sechelt Library; it was always checked out. For some months I’ve been thinking that I need to sort and winnow the overflowing rooms in this house I’ve lived in for 43 years. The books alone are, well, too many. We have a room with double-sided shelves, filled. I have a study with shelves built into one full wall and there’s no room to squeeze in another thin volume of poetry. Speaking of poetry, John has shelves upstairs with so many that he has also made piles on small tables and the floor. We never got rid of children’s books and good thing because now there are grandchildren. My mind is firmly analog, I guess, and although I use the internet (of course), I love to sit with books and look things up. There’s nothing like an atlas, for instance, or maybe 3 so you can cross-reference, sitting with them on your knee, tracing the distances from one city to another, tracing the river courses, figuring out borders. You need 3 because those borders are always shifting and it’s interesting to think about that historically, over time. And dictionaries: same.

But yesterday the library’s copy of The Gentle Art of Swedish Death Cleaning was on the shelf and I brought it home. I read most of it before sleep last night so is it any wonder I dreamed of filling boxes with…books? The author advises one room at a time. I’d like to try. I’d like to take in large bags and fill them with clothing, shoes I’ll never wear again, pots I haven’t cooked it for years, maybe even the fish-poacher Floyd St. Clair gave me when he was doing his own version of Swedish death cleaning. I remember I’d gone to have an early dinner with him and his partner David Watmough with my older son Forrest before heading down to Kits Point to see a performance at Bard on the Beach. We were using the bus and we were going to return to North Vancouver to sleep at the home of another friend after the play. So I had the fish-poacher in a large bag that I had to tuck under my seat in the tent and then carry back on the bus. That’s one item I could death clean but do I want to? Not yet. Floyd and David have been dead for years and I miss them still. (Everything in this house holds a memory.) Giving away the fish-poacher would seem so disloyal, unloving.

I could death clean the dresser holding table linens but then what happens when we need enough table cloths for all the tables put end to end for a really large gathering? (Will we have a large gathering again?) I could death clean the silver. The author recommends saving only enough plates and cutlery for the places you can set at your table. But what if? What if?

We don’t have a basement. Instead, we’ve filled our utility room with boxes of old boots, a tent, an inflatable dinghy, canning jars, two wine racks (filled, more or less, but you wouldn’t death clean wine, would you?), two vacuums, and, and, and. We’ve also filled our print shop, purpose-built to hold one printing press, then another, and cabinets of type, a table for laying out freshly printed pages, a cabinet for ink, etc. But as well as another vacuum, there’s also a wall of boxes of books, mostly copies of my own books, bought when they went out of print or else a publisher wrote to say they’re taking up too much warehouse space. Who could say no? Not me. No one wants to think of their books being shredded. But honestly, was it wise to think that somehow I could sell the books myself? I am no entrepreneur. (If you’re interested in any of them, just ask me. $5 a copy, plus postage.)

When I went to the library yesterday and found The Gentle Art of Swedish Death Cleaning on the shelf, I was thrilled. I looked at the first couple of pages and was filled with resolve. As I was leaving, I stopped at the trolley in the library lobby to see what books were being discarded, taken out of circulation. I’ve found treasures there, most recently some children’s books in French to have here for my Gatineau grandsons. Yesterday there were several copies of my book Euclid’s Orchard, the ones the library kept in their book club sets. I loved visiting a couple of book clubs who read that book, several members using library copies (while others had bought the book and asked me to sign it for them). Reader, I hesitated. I knew I had at least one box of Euclid’s Orchard in the print shop in the precarious stack against the east wall. Did I really need any more? I hesitated, as I said. But somehow The Gentle Art of Swedish Death Cleaning gave me to strength I needed to walk right past. And maybe I don’t want a copy (or two) of one of my own books with Discarded stamped on it. It’s a bit like finding one of my books listed on ABE, described as being “Unread, with fulsome personal inscription from author to fellow writer”.

One room at a time. That’s what the author advises. I don’t know where to start. But at least I haven’t added to the problem. Not since yesterday.

some brought flowers

So, Euclid’s Orchard is well and truly launched.Maybe it began to feel like it was actually in the world when I saw the sign in Talewind Books earlier in the week,

window

and certainly when my publisher Mona Fertig and her husband arrived for lunch yesterday on their way back from Savary Island,

lunch

and, well, the day before that, when I baked the desserts that were waiting to be packed up for transport down to Sechelt.

just desserts

Two apple galettes (“One apple tree remains under my care. It’s a Merton Beauty, bought as a tiny plant at a produce store in Sechelt.”), a peach and blueberry galette (“…that road led back to the foot of Poignant Mountain, forgotten and then found, lard pails stained by blueberries…”), and a dense chocolate torte that uses 2 Tbsp. of flour so it’s easy to make it gluten-free with rice flour for those who don’t eat wheat. A round of Brie, a jar of last year’s pepper jelly, fierce with Vietnamese peppers, and a few Merton Beauties to have with the cheese.

The Sechelt Library opened its doors, set up chairs, long tables for those desserts, tea and coffee, and lots of posters of Euclid’s Orchard‘s vivid cover. I wondered to Margaret Hodgins (the Chief Librarian) if anyone would actually come but by the time she introduced me, people were spilling out of the doors. It was so wonderful to talk about my book and read passages to people I’ve known forever and new faces too. To talk about how math came late to me, after a visit to Brendan when he was at the Mathematical Sciences Research Institute above Berkeley in 2013—he’d told us that he and Cristen were expecting a baby and I saw for the first time how we move forward in time, how we anticipate the future and how the past is hovering still, as potent as anything, that we are everywhere and nowhere simultaneously, and that Brendan knew equations that might help me to know this more deeply. To know him more deeply, as a man, as a father. And it was the Sechelt Library that had the copy of Joy of Math dvds that I brought home and diligently watched on my computer screen, understanding about 30% of the material but realizing how beautiful the structures are. (At least one person came to me afterwards to say that he was going to have a look at the Joy of Math. T. Kishkan, math recruiter?) I’d asked for a screen to have behind me as I read and on it a series of images passed quietly, some of them photographs from the book, and others of those strange presences who hovered as I was writing the essays: my grandmother and her first husband in the early days of their marriage; my grandfather’s sisters (I think they must be); the dusty streets of Drumheller, circa 1913, when my grandmother arrived with her 5 children after a long ocean voyage; an ultrasound of a beloved grandchild; my mother in a garden as a small girl; a funeral gathering by the house my father grew up in, though three years before he was born. I felt them in the room as I felt them last fall.

Anyway, it was wonderful, all of it. Some brought flowers.

jane's bouquet

roses

harrisons on the woodstove

After the reading, Bev Shaw sold books and tucked a copy of the little keepsake John printed into them. (It helps to have a husband who is a letterpress printer, among his other accomplishments.)

keepsake with linocut

People ate and talked and I thought how the whole evening was a gift. A year ago, I wasn’t sure how the future would unfold because of what tests and scans had revealed. That’s all in the past now, part of the never-ending story that I am constantly listening to, trying to tell.