
Some days I sit at my desk and look out the window for more time than I’d like to admit. There’s a group of 3 big Douglas firs and twice, sitting at my desk, I’ve seen a sow bear see me, here at my desk, and send her cubs up into the high reaches of one of the trees. When I went out to look more closely, from the safety of a second-storey deck, I could hear the cubs making little squeals and the mother grunting from the underbrush. The understory. There’s always a story in those woods. Just beyond where the firs grow, coyotes have denned for at least 20 years. Some years we hear them mate in February and it’s exactly what you’d expect: a high-pitched yipping and a more growly groan. Then silence. And all summer, though not constantly, various songs as one parent delivers food to the den or else the whole family responds to a firetruck or ambulance. I know I anthropomorphize the lives of the animals around me but honestly so many of the cycles are ours too. The mating, the raising of the pups, the bursts of song, and the lament at summer’s end as the young go their own way.
Some days I sit at my desk and read poetry while I look out the window. Lately it’s been Gary Snyder. As world events take up more and more of the oxygen (literally), the more I look to work that is grounded and quiet. That pays attention to the animals and plants, the divinity of weather, the beauty of rivers.
Lay down these wordsBefore your mind like rocks.placed solid, by handsIn choice of place, setBefore the body of the mindin space and time
Solidity of bark, leaf, or wallriprap of things:Cobble of milky way,straying planets,
Note: the poem is “Riprap”.
Thank you.
And thank you for reading.
Here in the metropolis – raccoons, squirrels, skunks, possums, many birds, a coyote or two. And for me, carpenter bees drilling holes in my house. Nature ready to take over when we finally wipe ourselves out.
I often wonder how long it would take. I’m reading John McPhee’s Coming Into the Country right now (well, re-reading some parts; other sections are new to me) and it’s interesting how often he describes a derelict cabin on the shores of a creek, with spruce growing from the sod roof.