Marsh marigolds

Yesterday I finished the first draft of the novella I began on October 19th, 2012. As I was writing towards the end, I still wasn’t sure what would happen. There were a few possibilities, one of them more dramatic than the others, but I found myself choosing a direction which is sort of open-ended. In some ways, I prefer novels which let me wonder a little.

This morning I came to my desk and began to read from the beginning. Because there are shifting time periods in this novella, I want to be sure I have them straight in my own mind. If they are in the right order, then the echoes which resonate from them will make more sense to a reader. And I don’t like printing out more drafts than I really need to — it’s hard to justify the waste of paper…

The novella is set in 1978-9. Mostly. There are also sections set in 1973. And even a very few sections set in the 1960s.  It’s certainly a work of fiction but I loved revisiting the Victoria of my early twenties, which is where some of the novella is located. I was new to writing, new to the notion that someone might actually be a writer as opposed to almost anything else. The culture of my family had no precedence for this so it was hard to think that it might be where I was heading. But significant teachers and friends helped me to find my way —  Robin Skelton, the painter Jack Wilkinson, Rona Murray, a few others. One of the most interesting things to me is how I tricked my subconscious into letting me write poetry in the voice of my character Patrin Szkandery. Her poems aren’t mine exactly but it was great to at least have the opportunity to write something brief and lyrical in a morning instead of, well, a novella.

And part of the novella takes place in 1979 in what was then Czechoslovakia. I’ve read everything I could find about that period and hope I’ve got the details right. Time will tell.

But this morning I am floating. In a day or two I’ll print out this draft and then I’ll know just how much more work I need to do to make this little story as fine as I want it to be but for now I’ll float. Like these marsh marigolds coming into bloom in the bathtub pool…

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Meacham Writers’ Workshop

John and I were recently guests of the Meacham Writers’ Workshop in Chattanooga, Tennessee. This inspiring event happens twice a year and combines readings, consultations, workshops, and some terrific parties. The webmaster Bill Stifler recently sent me links to the podcast of the reading John and I did on March 20th in the beautiful Flag Room at Guerry Hall, University of Tennessee, Chattanooga.

http://www.meachamwriters.org/audio/Pass-Kishkan13S.mp3

http://itunes.apple.com/podcast/meacham-writers-workshop/id358741556

Sugar Bush

We went to a sugar shack near Ste.-Eustache the other day, a wonderful experience. There was breakfast — thick smoky pea soup with lots of bread, accompanied by creton, then followed by a souffled omelette, ham, sausages with maple syrup, and then sugar pie. We met Manon’s parents Gerard and Nicole there and sat with hundreds of others in a big noisy room and it was lots of fun. The man next to John kept showing him pictures of his workplace where he made thick wire used for construction and his son said with a smile that he didn’t think we had maples in B.C. Of course we do! The bigleaf maple! And people even make maple syrup from its sap, a long process, and there is even a festival of bigleaf maple syrup near Duncan in February. But you never see this:

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