“When the gift moves in a circle…”

gifts
I’ve always loved the idea of gifts and reciprocity. The circular pattern of that process. What you give, you receive. This time of year I fill our pantry shelves with preserves, more than we can ever use. But when we are invited to dinner with friends, we take wine, yes, and often a jar of jam or pickled beans or a herbal jelly. I remember the time I spent living on Crete in the 1970s and how I would accompany my love interest of the time, Agamemnon (yes, that was his name!), to dinners with friends of his family. At the door we would be greeted with a small tray holding a glass of water and a jar of quince or cherry preserves. A long spoon. We would take a spoon of the preserve, called “spoon-sweets”, followed by a drink of water. Sometimes a tiny cup of coffee. This practice was part of an ancient code called Xenia. The guest was treated well in part because he or she might be a god or goddess in disguise. And if that didn’t prove to be the case? Well, no matter. The host had done the right thing. And a guest treated well was unlikely to behave badly.
“When the gift moves in a circle its motion is beyond the control of the personal ego, and so each bearer must be a part of the group and each donation is an act of social faith.”– Lewis Hyde, from The Gift: Imagination and the Erotic Life of Property
When people come to us, they bring flowers or books or wine; I feed them; John keeps our glasses replenished; they tell us stories and we share our own. Sometimes they leave with a bag of kale or a rooted cutting of wisteria or scented geranium. It’s the world I want to live in so I do my part.
Someone who does not know the Tigris River exists
brings the caliph who lives near the river
a jar of fresh water. The caliph accepts, thanks him,
and gives in return a jar filled with gold coins.
                 — Rumi, from “The Gift of Water”, trans. Coleman Barks
Someone once said as she arrived for dinner and put a jar of beautiful raspberry jam on the counter, “It’s like bringing coals to Newcastle.” But it wasn’t. Not at all. We grow wonderful raspberries but I never make jam of them. I don’t know why, quite. It seems there are always other things happening when the raspberries (cherished, for sure, but also called “the frigging raspberries” late in their season when they have to be picked, yet again, almost always by John, and arranged on trays for the freezer. In peak season, there’s a bucket a day….), anyway, when the raspberries are ripe so I never make jam of them. And hot buttered toast, with raspberry jam, in January? Oh, man.
So this isn’t entirely about jam. It’s about exchange. John printed these keepsakes on our Chandler and Price platen press to give out at my book launch and yes, we did that. Or Bev Shaw did. She owns Talewind Books and is the gracious bookseller at so many literary events on our coast. (Those who attend the Festival of the Written Arts in Sechelt will recognize her name!) She is a true friend to writers and readers. We have copies of the keepsake left. I’ll take some to Munro’s in Victoria for the reading I’m doing there on October 4th with Bill Gaston. But in the meantime, send me a photo or maybe just a confirmation that you’ve bought a copy of Euclid’s Orchard (my contact info is in the menu on the right-hand side of my home page) and I’ll mail you a copy of this lovely little letterpress keepsake. I can’t offer you a spoon of jam at the door and a glass of our delicious well water, not unless you visit us here, but I can offer something else. And I’m very happy to do that.
keepsake with linocut

“the spiral at its very heart”

Now that the launch date has been set for Euclid’s Orchard—September 8th, 7:00 p.m., at the Sechelt Public Library (desserts to follow reading!)—my husband John has just printed a little keepsake to hand out to those who buy books that evening (book sales courtesy of Bev Shaw at Talewind Books). If you think you recognize the spiral image, it’s because it’s the same one we used for one of our Christmas cards a few years ago. a linocut, created by me. I’m not an artist, obviously, but Euclid’s Orchard, particularly the title essay, has spirals (some of them featuring the golden or logarithmic spiral, though this isn’t one of those), so it seemed a good graphic element for this keepsake. Two runs through the press (the big Chandler & Price) because it’s two colours. For years I’d look out the blue-framed window at the north end of the kitchen and see him out in the print shop, leaning over the press or the table where newly-printed pages were drying and so it was nice to pause there again and see him. Because all the doors and windows are open, I could even hear the thumping of the press working away—it’s treadle-driven— and I thought of it as a pulse. A heart-beat, a printer placing paper against the friskets on the bed, bringing the inked type-filled chase down to the bed so that the type could meet the paper and impress itself into the fibers.

keepsake with linocut

Does it feel a little like we’re coming to the end of summer? I know there are weeks of it left but the weather has changed, the smoke’s gone, and there’s a cool thread running through the warm air. This coming weekend is the Pender Harbour Chamber Music Festival, something I’ve been involved with off and on for 13 seasons. It’s going to be a good one. We’re sold out and the excitement is high. Tonight is a dinner to welcome the musicians (who arrive early for rehearsals) and to thank their host families. I’ve made an apple galette and have picked a handful of nasturtiums to garnish it. The programme is spectacular this year, with many Canadian composers woven into each concert. The Harbour’s own mezzo-soprano, Rose-Ellen Nichols, is singing “Ships of the Night” from the Tobin Stokes opera Pauline; Rose-Ellen premiered the role with Vancouver City Opera and I’m looking forward to hearing her again. She’s part of our Rising Tide initiative where we invite young performers for an afternoon concert and it’s free (though with limited seating so only the first hundred people will be able to sit in the performance space, though others can sit on the grass outside).